“You Can See Everything” has captured the attention of audiences without revealing too much plot. The documentary, focusing on the story of Elizabeth Holmes, the founder of Theranos and a convicted fraudster, drew significant crowds to theaters during its opening weekend. Despite being shown in only 855 theaters in Canada and the U.S., the movie grossed over $15 million in ticket sales, marking the second-highest debut for a non-musical documentary in domestic box office history, trailing behind 2004’s “Fahrenheit 9/11.”
Receiving rave reviews, the film initially scored 99% fresh on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the platform’s top-rated movie ever. The documentary, helmed by directors Nathan Fielder and Lance Oppenheim, offers an intimate look into Holmes’ life in the 34 days leading up to her imprisonment for fraud.
Toronto film critic Teri Hart described the theatrical experience of watching “You Can See Everything” as engaging and immersive, with viewers audibly reacting to the unfolding events. The film’s unique storytelling and compelling character dynamics, particularly between Fielder and Holmes, have resonated with audiences.
Distributed by A24, known for its collaboration with visionary filmmakers, “You Can See Everything” adds to the company’s successful lineup of thought-provoking films. Hart praised A24’s commitment to working with auteurs and directors with distinct artistic visions. The documentary’s ambiguous ending and thought-provoking narrative have sparked conversations and left viewers with lingering questions, fostering a shared experience among moviegoers.
In a time when originality in Hollywood is often questioned, films like “You Can See Everything” serve as a refreshing reminder of the power of storytelling to captivate and engage audiences. The documentary’s ability to prompt discussions and provoke thought underscores its impact on viewers, promoting a deeper appreciation for cinema and the art of storytelling.