In Cherie Dimaline’s novel “Empire of Wild,” a trio of women across different generations embarks on a mission to rescue a loved one from the clutches of a werewolf-like entity called Rogarou. Their goal is to bring back a missing husband and safeguard their land from corporate interests. This gritty and compelling narrative was honored as the top book of 2019 by Indigo, surpassing renowned titles like Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
An investment of approximately $4 million is underway to transform Dimaline’s work into an opera with an Indigenous-led creative team. The world premiere is set to take place in Toronto next spring, aiming to attract a younger audience and opera newcomers while potentially challenging traditional opera enthusiasts.
Set in the Georgian Bay Métis community of Penetanguishene, Ontario, where Dimaline spent her childhood, “Empire of Wild” resonates deeply with composer Ian Cusson, who hails from the same region. Cusson, who recognized elements from his upbringing in the book, emphasized the importance of showcasing contemporary characters that modern audiences can relate to, including queer individuals and blue-collar families facing extraordinary circumstances.
The opera production, described as a “film on steroids,” embraces a mix of modern language, including explicit dialogue, to connect with younger viewers seeking immersive entertainment experiences. Innu soprano Elisabeth St-Gelais, who portrays the main character Joan, praised the story for its relatable themes and complex characters grappling with personal challenges.
“Empire of Wild” delves into themes of power, resistance, and resilience as Joan navigates a tumultuous journey to reunite with her husband against a backdrop of industrial interests and ancient magic. The narrative draws inspiration from Métis folklore, with a diverse cast embodying the characters’ depth and diversity.
The opera’s creative team, led by Indigenous artists, aims to encapsulate the essence of survivance – a term representing Indigenous survival and cultural resilience in the face of colonialism. Through a collaborative and inclusive process of creation, the opera seeks to redefine traditional storytelling methods and elevate Indigenous voices in the arts.
With a focus on promoting equality and shared creativity, the opera’s creators envision a transformative approach that values every individual’s input, regardless of their role in the production. This inclusive model of artistic collaboration is seen as a blueprint for future opera projects, fostering a more inclusive and diverse landscape within the industry.